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Click on the images below for longer descriptions and high resolution images. |
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Engraved Portrait of Chopin
ca. 1846 |
![chopin polonaise, op. 71, no. 3, manuscript](thumbnails/MSS77b2f9p1_thumb.jpg) ![chopin polonaise, op. 71, no. 3, manuscript](thumbnails/MSS77b2f9p2_thumb.jpg)
![white space](thumbnails/spacer.jpg)
Polonaise in F Minor
Op. 71, no. 3
Manuscript, ca. 1828–29 |
Robert Schumann.
Review of
Chopin’s variations on
Mozart’s
“Là ci darem la mano,” Allgemeine musikalische Zeitung, 1831
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![Ludwika Jędrzejewiczowa piano exercises](thumbnails/Misc.Ms.525p1_thumb.jpg) ![Ludwika Jędrzejewiczowa piano exercises](thumbnails/Misc.Ms.525p2_thumb.jpg)
Piano exercises
Manuscript copied by Chopin’s sister,
Ludwika Jędrzejewiczowa |
![spacer image](thumbnails/spacer.jpg) ![Quatre mazurkas pour le piano, Op. 24](thumbnails/M32C549M4op.24+t.p_thumb.jpg)
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![Second concerto pour le piano , chopin, op. 21](thumbnails/M37C549+op.21.t.p_thumb.jpg)
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Quatre mazurkas pour le
piano, Op. 24
(Paris: Schlesinger,
[1835])
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Second concerto pour le piano
avec accompagnement de l’orchestre ou avec quintuor, Op. 21 (Leipzig: Breitkopf & Härtel, [1836]) |
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![waltz op. 34 no. 2 chopin](thumbnails/M32C549+op.34no.2.c.2tp_thumb.jpg) |
![waltz op. 34 no. 2 chopin](thumbnails/M32C549+op.34no.2c.2p.3_thumb.jpg) |
![spacer image](thumbnails/spacer.jpg) ![ballade pour le piano no. 2, in f major, chopin](thumbnails/M25C549+op.38.t.p_thumb.jpg) |
![chopin, photograph l.a. bisson](thumbnails/PortraitFileChopinPhoto_thumb.jpg) |
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Waltz, Op. 34, no. 2
from
Trois valses brillantes
(Leipzig: Breitkopf & Härtel, [1838])
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Ballade pour le piano
No. 2, in F major,
Op. 38
(Leipzig: Breitkopf &
Härtel, [1840])
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Photograph of Chopin
by L.A. Bisson
1849 |
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![chopin Letter auguste franchomme](thumbnails/MSS77b2f6_thumb.jpg)
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![Thematisches Verzeichniss](thumbnails/ML134C549B83p39_thumb.jpg)
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![spacer image](thumbnails/spacer.jpg) ![life of chopin by liszt](thumbnails/Le50C45 L6.tp_thumb.jpg)
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![Hans von Bülow chopin new haven](thumbnails/Misc.Ms.300Bulow_thumb.jpg)
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Letter to unidentified
recipient
[Auguste Franchomme?]
April 1, 1849 |
Thematisches Verzeichniss
der im Druck erschienenen Composition von Friedrich Chopin (Leipzig: Breitkopf & Härtel, [1852]) |
Franz Liszt
Life of Chopin
Translated by Martha Walker Cook
(Boston: Oliver Ditson, [1863?]) |
Concert Program
for a piano recital
by Hans von Bülow
New Haven
November 4, 1875 |
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“Henry Wadsworth Longfellow’s Funeral March” (from Piano Sonata No. 2, Op. 35)
(New York: Saalfield, [1882?]) |
![Mazurka, Op. 33, no. 1, Francisco Tárrega](thumbnails/Misc.Ms.343p1_thumb.jpg) ![Mazurka, Op. 33, no. 1, Francisco Tárrega](thumbnails/Misc.Ms.343p2_thumb.jpg) ![Mazurka, Op. 33, no. 1, Francisco Tárrega](thumbnails/Misc.Ms.343p3_thumb.jpg)
Mazurka, Op. 33, no. 1,
Arranged for guitar by
Francisco Tárrega,
Manuscript, 1909
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![“I’m Always Chasing Rainbows” Harry Carroll and joseph mccarthy](thumbnails/ImAlwaysChasingRainbows(Dolly)cover_thumb.jpg)
Harry Carroll and Joseph McCarthy, “I’m Always Chasing Rainbows”
Based on Chopin’s Fantaisie-Impromptu, Op. 66
([New York]: Miller Music, [1945?]) |
![white space](thumbnails/spacer.jpg) ![“I’m Always Chasing Rainbows” eddie sauter arrangement, benny goodman](thumbnails/MSS53b13f25p1_thumb.jpg)
“I’m Always Chasing Rainbows”
Arrangement for Benny Goodman’s band
by Eddie Sauter,
1940 |
![white space](thumbnails/spacer.jpg) ![Hershy Kay, "The concert" Ballet](thumbnails/MSS28b12f5#3p1_thumb.jpg)
Hershy Kay, The Concert
Ballet based on various works of Chopin,
1956 |
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![Marie Corelli and L. Emil Bach, “The Voice in the Cathedral”](thumbnails/MSS19b1f8tp_thumb.jpg) |
![Marie Corelli and L. Emil Bach, “The Voice in the Cathedral”](thumbnails/MSS19b1f8p1_thumb.jpg) |
![white space](thumbnails/spacer.jpg) ![Poland, postage stamp, Chopin](thumbnails/MSS77b2f7Stamp_thumb.jpg) |
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Marie Corelli and L. Emil Bach
“The Voice in the Cathedral”
Based on Chopin’s Nocturne, Op. 9, no. 2
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Postage stamp
Poland, 1970
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Credits
Exhibit by Richard Boursy.
Web design by Remi Castonguay.
Special thanks to: Emily Ferrigno, Eva Heater, Angie Hurlbut, Suzanne Lovejoy, Christine McCarthy, and Richard Warren for their help with this exhibit. |